Sunday, April 25, 2010

The Angelmakers (2005)


Director: Astrid Bussink

Starring: Old-ass Hungarians

More Info: IMDB

Plot: A documentary recounting the poisoning of over a hundred men in a small village in Hungary after World War I. For many, it was their wives who killed them.

My Rating: 7/10

Would I watch it again? Yes

Here's a rich as fuck story that I'm DYING to see. After WWI, one of the most respected women of the Hungarian village of Nagyrev discovered how to extract the traces of arsenic from fly paper and use it to slowly poison her husband until he died two months later, seemingly of circumstances that certainly didn't look like murder. She hired herself out to other dissatisfied women of the village. The problem was so widespread that the authorities looked into it, leading to the arrest in 1929 of 51 women in connection with an estimated 140 cases of murder!!! Someone in Europe with the right eye needs to film this story and not make it a comedy or a straight up horror.



This documentary is only 33 minutes long and there is very little to show except current interviews with some of the townspeople who were children at the time and those who can pass along the stories that have been told over the years. It's a fascinating story but there's not an awful lot here. I really wanted more details with more vintage photographs. For what the film makers do show us, the 33 minutes is a nice length. I love the setting. Hungary is such a beautiful country and the people have such amazing features in their faces and demeanor.




It turns out that Nagyrev was not alone. This was happening all over Hungary at the time. Most of the women in other villages went unpunished. Man, I really need to see this story on the big screen.

Bazaar Bizarre (2004)

Director: Benjamin Meade

Staring: James Ellroy

More Info: IMDB

Plot: It's the story of Bob Berdella, an unassuming Kansas City, Missouri man who raped, tortured and killed at least six young men over a four-year period beginning in 1984.

My Rating: 5.5/10

Would I watch it again? Not likely

Here's an interesting take on a documentary that has an interesting subject but has an unconventional method of storytelling...well, sort of. The film opens with his last victim escaping after being tortured for a week. Naked save for a dog collar and leash, he jumps from the second story window and runs for help. Not really shocking but more surprising, Meade is not afraid to show A LOT of this nude man running around and screaming. At first it seems bold but later in the film I began to question it, and the film, as exploitative. See, all of the reenactments are deliberately made to look like old, filthy 8mm prints. Meade did a fantastic job with that. Hell, even the gore is really well done. All of this gives it an air of authenticity. I dug it. There's some real talent here.


The story of the actual guy is kind of interesting if even routine. When it comes to serial killers, he's not going to stand out. He's an average guy that lived alone in a nice, old house in a middle class neighborhood. He owned and operated a novelty shop in a flea marked called Bob's Bazaar Bizzare, a head shop of sorts with all kinds of occult-ish items. He was 35 when his first documented victim was abducted. For the next four years he is known to have raped, tortured an killed 6 young men. Their ordeal lasted anywhere from 48 hours to more than a month before he killed them.



His torture techniques were not unlike some of the WWII Nazi experiments conducted at the various concentration camps. He was discovered to have injected varying substances into the victims' throats to destroy their ability to speak or scream. He would drug them to keep them subdued, sodomize them with carrots, cucumbers and his fist. On at least one victim he injected Drano into his eye. There's more to it but it's clear he was a sick, sadistic fuck.


The guy Meade found to play Berdella in the flashbacks is spot on. Noted crime author James Ellroy (L.A. Confidential, The Black Dahlia - who also produced BB) pops in from time to time about Berdella and his utter distaste for this scumbag. Ellroy's a laugh riot and he's very engaging when he's on screen. This is about where my praise ends. There are two major issues I have with this and I'll start with what I speculated at some point into the picture - it's too voyeuristic and it borderlines on sensationalism and exploitation.


Oh, a minor annoyance is the music by The Alloy Orchestra. I just don't like it. The moment I heard it I had flashbacks to an otherwise GREAT DVD put out by Kino of Fatty Arbuckle & Buster Keaton. They scored those silent films and it's absolutely horrible to the point of lowering the volume to enjoy the films. Yep. It's the same group. I did not see that coming. And how seriously can you take a "documentary" that routinely shows you clips of the musicians and bands who contribute to the score?


There are several people interviewed that took this whole thing far too lightly, smiling and laughing about the crime scenes. This could be interpreted to also show how cruel and stupid we humans can be. OK, I can give Meade that but when you combine it with extended and graphic flashbacks made to look authentic and sometimes humorous, that's where you feel that he's going for sensationalism.


There's one scene in particular that stood out and illustrates this. Berdella is cooking chili (now this is purely speculative that he actually did this with most people close to the case saying it's not likely to have happened) and he cuts up some meat from the victims - fingers and such. After using the knife to push them from the cutting board into the pot, he looks at the knife and licks it. It's funny. It doesn't belong in a documentary unless it A) really happened or B) they're playing the film for laughs. Do it all day long in a movie but not a documentary. It's insulting to the victims and their families.


By the way, Berdella died of a heart attack in prison four years after his arrest.

What's the other big issue? There's a band called, The Demon Dogs, that shows up four times to act as a Greek Chorus, singing songs about Berdella and his crimes. These music videos, besides being just plain bad, are jarring in their inclusion and really take you out of the picture. It's like a commercial and it's time for a bathroom break or something. WTF? At this point I have no idea what Meade was trying to accomplish. I assume this is the film he wanted to make. If so, great. I certainly cannot fault him for that. The best I can muster up at this point is faulting him for not making the film I would have wanted him to make. (cue the shitty music videos)

Saturday, April 24, 2010

Aileen: Life and Death of a Serial Killer (2003)


Director: Nick Broomfiled

Starring: Aileen Wuornos, Steve Glazer and Arlene Pralle

Plot: Nick Broomfield's second documentary on Aileen Carol Wuornos, a highway prostitute who was executed in 2002 for killing seven men in the state of Florida. This second installment includes the filmmaker's testimony at Wournous's trial.



My Rating: 8/10

Would I watch it again? Yes

Broomfield's previous documentary about Wuornos, AILEEN WUORNOS: THE SELLING OF A SERIAL KILLER (1992), left me wanting to know the back story about Wuornos and the questions you would have of what lead her to kill seven men over the course of a year beginning in 1989. Well, here it is. This documentary is more focused than the last and it takes us on a sad journey from her childhood to her execution in Florida on October 9, 2002.

Wuornos' shit bag mother

Her life was shit from the start. Her mother, Diane, married Leo at the age of 15 in Michigan. Leo was a child molester and was strangled to death in prison in 1969. Diane abandoned her children, leaving them with her parents (we get to see Diane interviewed, btw, and she's a piece of shit). At the age of 13, Aileen became pregnant. She had been sexually active with many partners including her brother. At 15 her grandfather threw her out of the house. She lived in the nearby woods for the next two years, supporting herself with prostitution. Sick of living another harsh winter in the woods, she decided to move to the warmer, more agreeable climate of Florida. From there her life of crime escalated, ending with her arrest on January 9, 1991 for the recent murders of seven men.


Now this is what I wanted to see. We also get to find out what has happened over the past ten years with the players from the previous documentary. Wuornos' life was a fucked up mess from start to finish. No doubt about that and this doc is loaded with low-lifes including a friend of Wuornos' that insists gays didn't exist before the 1970s. Unbelievable. It's a great counterpart to his earlier doc. If you only liked the first one a little bit, you need to see this one as it will give you the satisfaction you wanted.

Want to see it? Start watching the whole thing, below, beginning with part one.


Aileen Wuornos: The Selling of a Serial Killer (1992)

Director: Nick Broomfield

Starring: Aileen Wuornos, Steve Glazer, Arlene Pralle

More Info: IMDB

Plot: Filmed after Wuornos was imprisoned but before she was put to death, the documentary highlights the media blitz surrounding her case, culminating in interviews with Wuornos as well as her lawyer, her lover and her adoptive mother.

My Rating: 7/10

Would I watch it again? Possibly

Billed as "America's First Female Serial Killer", Aileen Wuornos killed seven men in Florida during a one year period stretching from 1989-1990. She was arrested on January 9, 1991 and executed on October 9, 2002.

The Killer...

Director Broomfield sets out to interview Wuornos but she's got two gatekeepers that want $25k before they make that happen...in Aileen's best interest, you see. The gatekeepers are Arlene Pralle, a born again christian who has legally adopted Aileen (after her arrest, mind you, and she did it because god told her to) and Steve Glazer, an utter douchebag, skeezy lawyer that served as Aileen's attorney and Pralle's agent.

The Lawyer...

Both of these characters are ugly and despicable. Aileen Wuornos is ugly and despicable. I can't recall anyone in this film that's no ugly and despicable. Hell, even the director has moments of douchbaggery. It's only toward the end do I actually feel for the guy because he's been clearly lied to and deceived by Pralle and Glazer AND Broomfield had already given them $10k as a down payment for Wuornos' interview. It's interesting to see Broomfield struggle and fight throughout the film to get something he can use to put this documentary together.

His other client (Wuornos' jesus freak adopted mother)

We only really get some basic facts about Wuornos, her lover, the killings and the subsequent arrest and trials. I felt cheated as I wanted to know so much more about Wuornos; where she came from, her motives for the murders, etc. But then I was reminded of the film's title. It's not so much about her life before the arrest but about the insanity and media circus that came after with absolutely everyone around Wuornos wanting a piece of her in order to gain them wealth or fame. From the cops to the lawyer to her lover to her newly adopted bugnuts religiously fanatical mother. It's revolting. If Wuornos hadn't murdered seven people you'd feel sorry for her.

And Her Lover (now there's a sex tape I never want to see)

What we're left with is a cast of characters that are repulsive, trashy and deserve the embarrassment they receive from this picture. Broomfield may or may not be included among them depending on his motives for making this film, of which I'm still not 100% sure.

Murder: No Apparent Motive (1984)


Director: Imre Horvath

Starring: Tons of delightful folks like Ted Bundy, Ed Kemper, David Berkowitz, John Wayne Gacy, Wayne Williams, etc

More Info: IMDB

Plot: Documentary about serial killers and FBI Behavioral Sciences Profilers. Interviews with Ed Kemper and Ted Bundy as well as crime victims and law enforcement officials.



My Rating: 9/10

Would I watch it again? Absolutely

Growing up in Pensacola, Florida during the 1970s, you basically had three career options to getting out; being an astronaut, a high wire trapeze artist or a serial killer. Unfortunately, my math skills were lacking and I was afraid of heights but the sight of blood didn't bother me. Hmmmmm.

Mr. Song & Dance Man, Charlie Manson

But seriously, what is it that we humans find fascinating about serial killers? The two aspects that interest me are the law enforcement hunt, the putting together the pieces of the grisly puzzle, and the killer's ability to continue their crimes without getting caught. For as long as I can remember I've always been more than curious about how things work. Whether it's trying to figure out how movie effects are made or how magicians perform their tricks, the art and skill in which these people perform to deceive is remarkable. Even once I know how a trick is performed, I marvel at the talent and work that went into making it believable.

6'9" tall Ed "C0-Ed Killer" Kemper

This documentary gives you a general overview of the relatively new phenomena (serial killing has been around for ages but it really started to blossom in the 1950s onward), touching on the big names while its main focus is on two figures, Ed Kemper and Ted Bundy (whose arrest in Pensacola put a stop to his killing spree). In John Douglas's excellent book on his participation in the creation of the Behavioral Sciences division of the FBI in the 1970s, MINDHUNTER, he goes into more detail about these and many other killers they hunted over the years. I recently picked it up and it's sparked my longtime interest in the subject once again. I've devoured scores of documentaries on the subject which I will be writing about shortly.

Ted Bundy

John Wayne Gacy

Blatant product placement

M:NAM is a fantastic look at the subject and handles it with care and respect. Some highlights include extensive interviews with super cool G-Man, Robert Ressler (who, along with Douglas, was instrumental in the Behavioral Science division) and serial murderer, Ed Kemper. Until recently I hadn't heard of him. His story is fascinating and I highly recommend Googling/YouTubing it.


Sadly this doc has not made it to DVD and it can be found on VHS for a few bucks on Amazon. It's definitely worth seeking out but I'm sure there have been documentaries since that rival this one but M:NAM has that great feel of the old 8 & 16mm classroom films we used to get way back when. Ahhhh, childhood, where dreams could still come true...

Monday, April 19, 2010

Sword & Sandal Trailers Vol. 1


I love this genre and these trailers are a blast. Loaded with adventure and plenty of action, you're catapulted back to a simpler time when there were a myriad of beasts and demons to vanquish, princesses to rescue and armies to slay. Ahhhhh, the good ole days.

It's too bad that most of these will never see a proper DVD release and that it's likely I'll never see any S&S films on the big screen (btw, you'll notice that a few of these are not S&S films but period adventure - for ex., Sinbad films are not S&S). The closest I've ever come is seeing a beautiful 70 mm print of Spartacus on a gigantic screen in New Orleans nearly twenty years ago. THAT was amazing. Except for the first one on the list, ATLAS, I think I've got all of them. There are two more volumes of these trailers that I converted to DVD from the Sinister Cinema VHS tapes I had. Oh, to be a kid in the late 50s/early 60s seeing these larger-than-life adventures in the theater with a big-ass tub of corn and Coke...

01) REVIEW - TRAILER - Atlas (1961)
02) REVIEW - TRAILER - Goliath and the Vampires (1961)
03) REVIEW - TRAILER - Goliath and the Dragon (1960)
04) REVIEW - TRAILER - Ulysses (1967)
05) REVIEW - TRAILER - Duel of the Titans (1961)
06) REVIEW - TRAILER - Hercules in the Haunted World (1961)
07) REVIEW - TRAILER - Hercules Against the Moon Men (1964)
08) REVIEW - TRAILER - Knives of the Avenger (1966)
09) REVIEW - TRAILER - Hercules (1958)
10) REVIEW - TRAILER - Hercules Unchained (1959)
11) REVIEW - TRAILER - Hercules (1983)
12) REVIEW - TRAILER - The Giant of Metropolis (1961)
13) REVIEW - TRAILER - War of the Zombies (1964)
14) REVIEW - TRAILER - Erik the Conqueror (1961)
15) REVIEW - TRAILER - Jason and the Argonauts (1963)
16) REVIEW - TRAILER - The Magic Sword (1962)
17) REVIEW - TRAILER - Clash of the Titans (1981)
18) REVIEW - TRAILER - Jack the Giant Killer (1962)
19) REVIEW - TRAILER - The Wizard of Baghdad (1960)
20) REVIEW - TRAILER - Gladiators 7 (1962)
21) REVIEW - TRAILER - The 7th Voyage of Sinbad (1958)
22) REVIEW - TRAILER - The Golden Voyage of Sinbad (1974)
23) REVIEW - TRAILER - Sinbad and the Eye of the Tiger (1977)

The Abyss (1989)


Director: James Cameron

Starring: Ed Harris, Mary Elizabeth Mastrantonio and Michael Biehn

More Info: IMDB

Tagline: A place on earth more awesome than anywhere in space.

Plot: When the crew of an underwater oil rig are enlisted to assist in the rescue of an American nuclear submarine at the height of the Cold War, they discover a strange and mysterious force living in the deep and their rescue mission becomes an adventure into the wondrous and the unknown.



My Rating: 8/10 (with shit ending) & 9.5/10 (w/o shit ending)

Would I watch it again? Yes and I'll probably stop it short.

I have always considered this to be Cameron's best film along with THE TERMINATOR (1984). It's beautifully shot, the characters are fleshed out nicely along with some fantastic performances (a rarity in a Cameron picture), great score by Alan Silvestri and outstanding special effects that still hold up twenty years later.


It's a great sci-fi thriller. Cameron really knows how to ratchet up some tension, too. The resuscitation scene, despite knowing damn well how it ends, tears me up every time I watch it. Ed Harris is usually pretty intense but he's off the charts in that scene and it's his performance that makes it work as well as it does. I shudder to think what the current go-to, flavor of the month, blandest action star ever, Sam Worthington would have done. Uhhhhhhhhh.


The special edition director's cut is the one to watch...except for one thing; the ending. Now it's been a lot of years since I saw it and I had forgotten how much I loathed the ending. The aliens have Bud (Harris) and they show him a rapid succession of TV clips of violence throughout the ages. Bud verbally figures out that they want humans to stop fighting or it's curtains for the lot of us. It's so heavy-handed that your head hurts from the message that's attached to the shovel that's just been slammed upside your face. WE FUCKING GET IT, CAMERON! STOP! Does it stop? No. From this point to the end credits it's bad acting, dialogue and cornball shit you'd expect from a Michael Bay movie. The spectrum from what came before couldn't be wider.


Wait...maybe, just maybe the aliens really dig shit blowing up and war movies and Bud completely misread it and put words into their mouths. Hmmmm. Naw. Cameron had to shove his message down our throats...just like he did with AVATAR (2009). There are those who believe Cameron to be a truly great film maker. I disagree. He's certainly capable of being one but with THE ABYSS, he had something really special and he blew it in the eleventh hour. Don't get me wrong; I'm not opposed to messages in film...it's just that...well, sometimes it is the messenger and not the message after all.