Writers: Edmund Beloin, Maurice Richlin, Sidney Sheldon, Margit Veszi, Owen Elford
Composer: Andre Previn
Starring: Dean Martin, Shirley MacLaine, Cliff Robertson, Charles Ruggles, Norma Crane, Jack Weston, John Hudson, Jerome Cowan, Gale Gordon
More info: IMDb
Tagline: It's nice work - and you can get it!
Plot: Colonel Ryder, the publisher of a magazine, dies while on vacation. Tony, his swinging nephew, inherits the magazine and takes over. Presently, the magazine is planning to expand and to do so they need some capital. Tony's trying to arrange a loan through his friend. He is then informed by the hotel detective of the hotel that his uncle died in, that on the night of his death, a woman, wearing only a towel, came out of his room, and ran away before the detective could catch up with her. They suspect that the Colonel was "with" her on the night he died, cause he was smiling when he died. Tony and two of his uncle's confidants are worried that not only if the bank hears of this they will not get the loan but the magazine wholesome image could be tarnished. So they ask the detective to stay around so he could identify her. What they don't know is that the woman is Katie Robbins, one of the magazine's researchers and that she entered the room by "accident". When the detective identifies her and after having a few misconceived conversations with her, they suspect that she is trying to extort them, and she thinks that Tony's a nut.
My rating: 6/10
Will I watch it again? Nope.
This is what happens when talented people in the movie business get together to make a mediocre movie. It's all in the story, too, I think. The actors do well enough, Andre Previn's John Williams-esque score is delightfully fun but Shirley MacLaine goes overboard with the hyperactivity and Dean Martin isn't the relaxed, smooth mofo we're used to (I guess that's where acting comes into play). It is wild seeing Cliff Robertson so young. What you end up with is a typical, run of the mill Hollywood romantic comedy that isn't adding anything new or interesting to the genre. It shouldn't have to but then if you're not doing anything special then you should at least make it entertaining and this didn't do anything for me in that way, either. There are lots of familiar faces on display and there Martin is still fun to watch but this is by no means a forgotten classic. It's close to being 'cute' and that's it.
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